I love my e-reader! It weighs less than a pound and holds 100s of books. For Christmas, I get gift cards from 3 of the guys I support (administratively, that is, at the office). Plus, there are lots of free and cheap e-books available from various sources.
Summer, for me, is a time for lighter fare, and I have been reading my way through such e-books. A week ago, I started what I hoped would be a light-hearted mystery-romance but, instead, turned into a disappointing and not very satisfying read.
So I asked myself: What can I, as a writer, learn from this experience? Here are a few of my observations:
- The right title is important
- It should attract readers by promising something about the content. Yes, it can be enigmatic, or a teaser, but it should be accurate (unless it’s a satire or a humorous work)
- The book I am writing about is titled “Murder in the X x X” and is set in a part of the world that conjures up images of the glamorous rich, gliding in sleek yachts across blue waters under sunny skies. True, the book began there – but instead of a murder there was a disappearance and a kidnapping and the action quickly moved to Atlanta, Georgia (USA)
- The disconnect between title and content was jarring (in an annoying way), but I persevered, wary but curious.
- It should attract readers by promising something about the content. Yes, it can be enigmatic, or a teaser, but it should be accurate (unless it’s a satire or a humorous work)
- A strong start will hook the reader and keep his or her attention (even through weaker bits)
- As a reader, I like to enter a story quickly, to be drawn by the characters or the plot or both
- This novel began with an American woman in a café, attended by a surly waiter disdainful of her accent, while she waited for the mysterious Englishman who would help her find her kidnapped niece
- Once over the disappointment of no murder and the relocation, I accepted the story line, drawn in broad strokes: the woman came to claim her long lost sister’s missing daughter, whom the Englishman had located, for a hefty fee paid by the woman’s well-to-do father, and take her ‘home’ to the US
- From there, additional characters, family, co-workers in her office, an old friend, and the troubled little niece came together in an uneven patchwork quilt of a plot
- As a reader, I like to enter a story quickly, to be drawn by the characters or the plot or both
- Connect readers with your key characters early on – so they have an idea of what’s going on and care about them and what happens
- Establish rapport with, empathy for or interest in your key character(s) by
- While I sympathized with the main character’s loss of her sister and confusion at the newly discovered and traumatized-by-kidnapping niece, I did not connect with her – or any of the characters – on an emotional level
- Context for the characters was provided in due course, but it did not flow well
- I was not particularly interested in the characters (a couple of them annoyed me due to their mannerisms or way of speaking) and I did not really care about them.
- Establish rapport with, empathy for or interest in your key character(s) by
- Provide detail – the right kind; for understanding and context and to entice further reading – and the right amount; too much is cloying and too little can be confusing
- This book fell short in every way.
- It opened in an exotic locale that was hastily abandoned without the enjoyment that I as a reader had anticipated
- The characters were not fully formed enough to garner sympathy or interest
- The plot quickly became cluttered and confusing – questions arose – when and why did the sister disappear? who was the niece’s father and where did he fit in? what was important about the relationships between the additional characters? – but the answers were slow and haphazard
- This book fell short in every way.
- A strong and satisfying wrap up – with enough dangling threads to entice further reading (this was book one in a series)
- I have read many serial novels over the years and the good ones always leave me interested in reading further. This one did not.
- There was some unfinished business – how would the romance between the main character and man with unresolved issues end? – the 5 year old niece slowly coming out of her trauma, what would become of her? – the main characters former boss and his wife move halfway around the world, would they stay in touch?
- As a reader, I had only a mild passing interest in the answers to those questions. I had not connected deeply enough with any of the characters to pursue them further
- I know there were 4 more books written in the series, though – so either I’m off the mark, or the writing gets better. Do I want to read and find out? Nah…
- I have read many serial novels over the years and the good ones always leave me interested in reading further. This one did not.
- The indisputable fact is; you cannot please every readers. So – who do YOU write for?
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